{"product_id":"john-peel-festive-fifty-pt-1-retro-old-time-radio-shows-mp3-dvdrom-copy","title":"JOHN PEEL - Festive Fifty - Retro Old Time Radio Shows MP3 DVDROM","description":"\u003ch1 data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eJOHN PEEL’S FESTIVE FIFTY x2 DVDROM\u003c\/span\u003e\u003c\/h1\u003e\n\u003ch2\u003e\u003cspan\u003eHistory of the Legendary BBC Radio 1 Countdown\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eFestive Fifty\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e was originally an annual list of the year's 50 best songs, although the exact number sometimes varied above or below fifty. The list was compiled at the end of each year and voted for by listeners to \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJohn Peel’s BBC Radio 1 show\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe chart was usually dominated by indie and rock music. However, this did not fully represent the enormous diversity of music played by Peel himself, but rather reflected the musical preferences of the majority of his listeners.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFollowing John Peel’s death in 2004, the Festive Fifty tradition continued, initially through other BBC Radio 1 DJs. When Radio 1 eventually discontinued the countdown, the independent internet radio station \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDandelion Radio\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e took over the tradition.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eTHE HISTORY OF THE FESTIVE FIFTY\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch3\u003e\u003cspan\u003e1976–1979: The Early Years\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eThe first Festive Fifty was broadcast in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1976\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and differed from later editions because it was not restricted to songs released during that particular year.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe inaugural chart was topped by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eLed Zeppelin’s “Stairway to Heaven”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, originally released in 1971, and featured many other songs from previous years.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 1977, Peel’s producer suggested that, rather than conducting another listener poll that might simply repeat the results of 1976, Peel should compile a personal selection of his favourite songs of the year.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis became known as the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“Forgotten Fifty”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, although it actually consisted of 61 songs. Long believed to have been lost, the complete selection was eventually reconstructed from rare archive materials for the 2007 BBC book \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThe Peel Sessions\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn subsequent years, the programme returned to the listener-voted format, with the charts increasingly featuring contemporary releases.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThe Sex Pistols’ “Anarchy in the UK”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e topped three consecutive Festive Fifty charts beginning in 1978 and finished second in 1981.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis period saw punk music dominate the upper reaches of the countdown, reflecting the enthusiasm of both Peel and his listeners for the emerging genre.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNevertheless, other musical styles continued to appear further down the charts. The continued presence of Led Zeppelin’s “Stairway to Heaven” until 1979 demonstrated that the older generation of Peel listeners had not completely abandoned the programme.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003e1980–1989: Post-Punk and the Rise of Indie Music\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eIn \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1982\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the Festive Fifty officially changed to a strictly annual chart, concentrating on music released during the relevant year.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThroughout the early 1980s, post-punk recordings featured heavily, with bands such as \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJoy Division\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eThe Cocteau Twins\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e becoming particularly prominent.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBy the middle and latter part of the decade, independent guitar bands were gaining increasing recognition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThe Smiths\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e became one of the most successful acts in Festive Fifty history, achieving a remarkable \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eeleven entries in the 1987 chart alone\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHowever, Peel was becoming increasingly disillusioned with the musical tastes reflected in the voting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe famously complained that there were too many \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“white boys with guitars”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and insufficient musical diversity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlthough Peel continued to champion experimental artists and a wide variety of musical genres, the Festive Fifty increasingly reflected the popularity of indie guitar music among his audience.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003e1990–1999: The Phantom Fifty and the Pretty Festive 31\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eThe dominance of popular indie and guitar-based music continued into the early 1990s, despite Peel’s enthusiastic support for emerging rave and dance music on his programme.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1991\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, Peel did not manage to compile the Festive Fifty until the following year. The countdown was not actually broadcast until 1993, when he played one song from the list each week.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis unusual edition became known as the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“Phantom Fifty”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt was not the only occasion on which the Festive Fifty departed from its traditional format.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1997\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, Peel decided that there was insufficient airtime available around Christmas to broadcast a complete fifty-song countdown.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFollowing pressure from listeners, he eventually agreed to present a shortened version, appropriately titled the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“Pretty Festive 31”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis edition was topped by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eCornershop’s “Brimful of Asha”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDespite the continuing popularity of indie music, the later 1990s and early 2000s saw a more diverse range of performers appearing in the countdown.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtists such as \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eThe Delgados\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eThe Cuban Boys\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, both favourites of Peel and his listeners, became notable contributors to the Festive Fifty during this period.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003e2000–2005: The Final John Peel Years and His Legacy\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eThroughout the early 2000s, the Festive Fifty continued to be an eagerly anticipated annual event for listeners to John Peel’s BBC Radio 1 programme.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe countdown remained an important showcase for independent, alternative and lesser-known performers, reflecting the passionate musical community that had developed around Peel’s broadcasts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFollowing \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJohn Peel’s death in 2004\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the Festive Fifty continued in his memory.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe 2004 countdown was presented by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eRob Da Bank\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and was topped by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eThe Fall\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, Peel’s favourite band and one of the most prolific contributors to his famous radio sessions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e2005\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eHuw Stephens\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, a presenter from Radio 1’s \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eOne Music\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e strand and one of the original replacements for Peel’s programme, joined fellow presenter Rob Da Bank to present that year’s Festive Fifty.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003e2006 Onwards: Dandelion Radio Continues the Tradition\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eIn \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e2006\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, following the removal of \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eOne Music\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e from the BBC Radio 1 schedule, the station discontinued the Festive Fifty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHowever, the story did not end there.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDetermined to preserve the tradition, members of John Peel’s former production team invited the independent internet radio station \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDandelion Radio\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e to take over the compilation and broadcasting of the annual countdown.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDandelion Radio accepted the invitation and has continued the Festive Fifty tradition since \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e2006\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, keeping alive one of the most distinctive and much-loved features of John Peel’s broadcasting career.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Festive Fifty remains a lasting reminder of Peel’s extraordinary influence on independent music and the enduring enthusiasm of the listeners who helped make his annual countdown such an important musical institution.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePlease note this DVDROM, it will not be up to today's high Quality, although the Quality is very good in most cases. Please remember these are recorded from Radio Shows by cassette tape.\u003c\/p\u003e\n\u003cp\u003eALL DVD-R's ARE MADE TO PLAY IN ALL DVD\/BLURAY PLAYERS, PC'S\u003c\/p\u003e\n\u003cp\u003eAll our items are reproduced on high quality disks (DVD-R) by ourselves and are of a very good quality and have been thoroughly checked in the Public Domain before listing. \u003c\/p\u003e\n\u003cp\u003eAll our products are either in the public domain and\/or we have collected and compiled them ourselves and therefore are the copyright holders and master re-sellers or we own the resell rights to them. \u003c\/p\u003e\n\u003cp\u003eItems contained on this DVD are distributed freely and globally under the terms of the GNU Public Licence and the GNU Lesser General Public Licence (LGPL). \u003cbr\u003e\u003cstrong\u003eHigh Quality Printed DVD-R in Plastic Wallet not a DVD Case.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: large;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: large;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"MadeAgainGills Online Media","offers":[{"title":"Default Title","offer_id":63847656784202,"sku":"n\/a","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0838\/8293\/4602\/files\/c43c266b-32f6-4530-bb99-c40560b87867.png?v=1791447776","url":"https:\/\/madeagaingillsonlinemedia.com\/products\/john-peel-festive-fifty-pt-1-retro-old-time-radio-shows-mp3-dvdrom-copy","provider":"MadeAgainGills Online Media","version":"1.0","type":"link"}